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- <text id=93TT0573>
- <title>
- Nov. 29, 1993: The Arts & Media:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Nov. 29, 1993 Is Freud Dead?
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 75
- Cinema
- Haynes! Come Back, Haynes!
- </hdr>
- <body>
- <p>In Clint Eastwood's A Perfect World, Kevin Costner tries to
- become the father neither he nor his young hostage ever knew
- </p>
- <p>By Richard Corliss
- </p>
- <p> It's Texas in the fall of 1963. Passionate rebel Kevin Costner
- is willing to break the rules to make a moral point. Flinty
- lawman Clint Eastwood is riding in a vehicle needed for President
- Kennedy's visit to Dallas. At first this looks like the convergence
- of two recent strains of Hollywood retro-history: JFK in the
- Line of Fire. But A Perfect World, which Eastwood directed from
- John Lee Hancock's script, is not another dark fable about Camelot.
- The stage is smaller here, the concerns personal rather than
- political. This is an old-fashioned, nicely spun-out, two-handed
- character drama. It just takes the film a while to reveal who
- its main players are and how ambitious its agenda is.
- </p>
- <p> Butch Haynes (Costner), a "criminal's criminal," has broken
- out of jail along with Terry (Keith Szarabajka), a garden-variety
- psychopath. The convicts terrorize a mother and her children
- and take seven-year-old Phillip (T.J. Lowther) hostage. Tracking
- their flight is a Texas Ranger posse led by Eastwood, your basic
- righteous cowboy emeritus, and sparked by Laura Dern, a Governor's
- aide who brings feminist compassion and common sense to the
- pursuit. Bad guys, good guys, vroom-vroom, ho hum.
- </p>
- <p> Not really--because A Perfect World isn't a western Psycho,
- it's a warped Shane. In that 1953 film, mysterious gunslinger
- Alan Ladd agrees to protect a homesteader's family against varmints
- and becomes a reluctant role model for the tenderfoot's young
- son. Here, Haynes is the bad guy, but he's mainly Shane. When
- Terry puts the make on Phillip, Butch avenges the assault. He
- gives Phillip lessons in backwoods manhood: how to smoke, cuss,
- dance, romance a waitress, drive a car, steal a car, rob a store
- and, of course, point a loaded gun at people you don't like.
- It's the blind leading the blind: Butch is trying to become
- the father neither he nor the boy ever knew.
- </p>
- <p> The movie also gives Butch enough psychological backstory to
- explain most of his antisocial excesses. Seems his mother was
- a prostitute and his dad "beat the hell out of anything he ever
- came across, or screwed, or fathered." As abused children become
- abusive adults, so poorly parented Butch turns into a lame excuse
- for a father to Phillip. But the boy is ready to learn from,
- idolize--and finally stand up to--the first man who has
- taken a paternal interest in him.
- </p>
- <p> In his first stint as director since the Oscar-winning Unforgiven,
- Eastwood is pleased to let scenes amble in real Texas time,
- to let destiny fall slowly on Butch. Costner, though pulling
- a superficial switch on the pensive heroes he usually plays,
- is at such ease before the camera that Butch is made both compelling
- and agreeable. This World isn't perfect: it zigzags toward its
- climax and dodders in pathos when it gets there. But it's a
- handsome calling card for two Hollywood artists in prime form--one at the high noon of stardom, the other in the tumbleweed
- afternoon of a distinguished career.
- </p>
-
- </body>
- </article>
- </text>
-
-